In which case I'll solo each channel and then ignore it again. Nowadays, I keep the cover on the Soundcraft, and just turn it on, unless I'm moving mics around. The Soundcraft was from when I had thoughts of making a real studio, until I realized that was a lot of work and I probably didn't have the social skills I think I'm more of a DIY 4-tracker soul, with a pawn store budget, which is where I got my 1010-LT which is my sole interface. The clipping produces mostly 2nd harmonics and the waveforms have rounded edges, sort of like tubes. The current feedback design features low odd harmonic partials and soft clips unlike any transistor designs. Sonically it sounds much more like my tube designs than anything solid state. Bandwidth is 30 mhz and bandwidth is maintained up to +60 db gain. It is by far the world's fastest mic preamp with a 7000V/us slew rate, 110 ma output current (drives 150 ohm loads easily) -133 db EIN and. If you want higher performance I also have the High Speed mic preamp cards for $175. None of the current mic pre chips can approach those specs. It features a super low -133 db EIN at 50 ohms source impedance, a 60v us slew rate, 50 ma output current and. That is a hybrid/discrete mic preamp fitted on a 7/8" square pcb that plugs into the SSM2017/2019/INA217 and THAT 1510 layouts. If you layout for those mic preamp chips you can also use the Audio Upgrades PIP module. Add a 1646 if you need a balanced output. The Scum wrote:The THAT 1510/1512 are probably the best bang for the buck, low parts count preamp chips around.
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